Armenian architectural studio SNKH has created a pop-up cinema informed by Bedouin tents outside the Garage Museum of Contemporary Art in Moscow.
Named the Garage Screen, the pop-up cinema was built in Garage Square of Moscow’s Gorky Park, directly opposite the Garage Museum of Contemporary Art which was designed by Dutch studio OMA.
SNKH’s temporary structure will host a programme of Russian and international films. The studio’s design, which was selected from 136 submissions in an open competition, directly references the building’s temporary nature.
亞美尼亞建築工作室SNKH在莫斯科車庫現代藝術博物館外，利用貝都因人的帳篷製作了一個彈出式電影院。
這家彈出式電影院名為“車庫屏幕”，建在莫斯科高爾基公園的車庫廣場上，正對著由荷蘭OMA工作室設計的車庫當代藝術博物館。
SNKH的臨時結構將主持俄羅斯和國際電影的節目。 該工作室的設計是從一場公開比賽中從136個提交物中選出的，直接參考了該建築的臨時性。
“Temporary architecture is pretty much close to nomad architecture,” Armine Snkhchyan who co-founded SNKH with Ashot Snkhchyan.
“We wanted to highlight its temporary, ephemeral nature,” Armine Snkhchyan told Dezeen. “From day one, we knew that it should be light and should seem kind of fragile, with no walls or hard barriers as constructive elements.”
“臨時建築與游牧建築非常接近，”與Ashot Snkhchyan共同創立SNKH的Armine Snkhchyan。
Armine Snkhchyan告訴Dezeen：“我們想強調其暫時的短暫性質。” “從第一天起，我們就知道它應該是輕巧的，並且應該看起來很脆弱，沒有牆壁或堅硬的屏障作為建設性元素。”
The studio described the structure as an “inverted Bedouin tent”, with the cinema enclosed within a PVC membrane hung from an external steel frame.
The building, which has the majority of its structure placed on the outside, also references the high-tech architecture of Richard Rogers and Renzo Piano.
工作室將這種結構描述為“倒置的貝都因人帳篷”，電影院封閉在懸掛在外部鋼架上的PVC膜內。
該建築的大部分結構都放置在外部，還引用了Richard Rogers和Renzo Piano的高科技建築。
“In our work, we use multiple references,” explained Armine Snkhchyan. “From Bedouin tents as an example of traditional nomad architecture to works of Russian constructivists, early works of Renzo Piano and many others.”
“Those references may not be clearly recognisable at first sight, but they’ve heavily influenced our work,” she continued. “We’ve envisioned a light external bearing structure that works on its limit and used a PVC membrane as a cover.”
Armine Snkhchyan解釋說：“在我們的工作中，我們使用了多個引用。” “從貝都因人的帳篷作為傳統游牧建築的範例，到俄羅斯建構主義者的作品，倫佐·皮亞諾的早期作品等。”
她繼續說：“這些參考資料乍一看可能無法清晰辨認，但它們對我們的工作產生了重大影響。” “我們設想了一種輕巧的外部軸承結構，該結構可以在其極限範圍內工作，並使用PVC膜作為覆蓋物。”
SNKH also aimed to ensure that the temporary building would not fight for attention with the OMA-designed museum it stands near.
SNKH的目的還在於確保臨時建築不會因其附近由OMA設計的博物館而引起關注。
“As it is a temporary structure we thought that we could deal with the location in an easier manner,” said Armine Snkhchyan.
“The Garage Museum of Contemporary Art is very dominant on the square. We knew that our project should not be ‘noisy’, but at the same time, it should be bold. We hope we’ve managed to achieve that effect.”
Armine Snkhchyan說：“由於這是一個臨時結構，我們認為我們可以更輕鬆地處理該地點。”
“車庫當代藝術博物館在廣場上非常占主導地位。我們知道我們的項目不應該’嘈雜’，但與此同時，它應該大膽。我們希望我們能夠設法達到這種效果。”
While the building is not directly recognisable as a cinema, the studio created a series of hints to its function.
“We tried to highlight its function by showing the contour of the amphitheatre on the facades and the ceiling membrane goes up, towards the screen inside creating a recognizable silhouette,” said Armine Snkhchyan.
“Maybe it is not immediately recognisable as a cinema, but its spatial solutions should give a hint that there’s some kind of auditorium inside.”
雖然無法直接將建築物識別為電影院，但工作室仍對其功能產生了一系列提示。
Armine Snkhchyan說：“我們試圖通過在正面上顯示圓形劇場的輪廓來突出其功能，而天花板膜則朝著屏幕內側向上傾斜，從而形成一個可識別的輪廓。”
“也許它不能立即被識別為電影院，但是它的空間解決方案應該暗示內部有某種禮堂。”
Within the cinema, the auditorium has faceted red walls with the roof structure visible and supporting sound baffles. Visitors will be seated on individual chairs.
The number of chairs within the cinema was almost halved to meet social distancing rules imposed by the coronavirus pandemic.
在電影院內，禮堂有多面紅色的牆面，其屋頂結構可見並支持隔音板。 訪客將坐在單獨的椅子上。
電影院內的椅子數量幾乎減少了一半，以滿足因冠狀病毒大流行而造成的社會疏遠規定。
“Fortunately, our design had very useful advantages in these circumstances: the pavilion has four entrances which allows us to organise the flow of people, and due to structural peculiarities and the tension of the membrane, the pavilion has natural ventilation,” explained Armine Snkhchyan.
“The only thing that has changed was the number of the seats. The auditorium was meant for 450 visitors – now its capacity is 225 for social distancing reasons.”
“幸運的是，我們的設計在這種情況下具有非常有用的優勢：該展館有四個入口，可讓我們組織人流，並且由於結構的特殊性和薄膜的張力，該展館具有自然通風，” Armine Snkhchyan解釋說。 。
“唯一改變的是席位數量。禮堂原本是供450位遊客使用的，但由於社會原因，現在的座位數是225位。”
Other recently completed cinemas include a colonnaded movie theatre by Tracks Architectes, which occupies a former French convent.
Design agency Layer has also designed a seat for social distancing in cinemas called Sequel that is knitted from antibacterial copper threads.
其他最近完工的電影院包括Tracks Architectes的柱廊電影院，該劇院佔據了前法國修道院。
設計公司Layer還設計了一個名為Sequel的電影院中用於社交活動的座椅，該座椅由抗菌銅線編織而成。
FROM:https://www.dezeen.com/2020/08/28/garage-screen-pop-up-cinema-moscow-snkh/
