Architects: ZAV Architects
Area: 10300 m²
Year: 2020
Photographs: Tahmineh Monzavi, Soroush Majidi, Payman Barkhordari, Somayeh Saeidi
Architect In Charge:Mohamadreza Ghodousi, Fatemeh Rezaie, Golnaz Bahrami, Soroush Majidi
Design Team:Sheila Ehsaei ,Sara Jaafari, Payman Barkhordari, Mohsen Safshekan, Kaveh Rashidzadeh, Hossein Panjehpour
Landscape:Maryam Yousefi, Morteza Adib
Interior Design:Sara Jaafari, Taraneh Behboud, Sara Nikkar, Mohsen Dehghan
Light Consultant:Tajang Light
Supervisor:Soroush Majidi, Payman Barkhordari, Sheila Ehsaei
Modeling:Somayeh Saeidi
Presentation:Fereshteh Assadzadeh, Somayeh Saeidi, Arshia Hashemipour, Dorsa Tavakoli, Sara Fallahzadeh
Owner:Ali Rezvani
Client:Ehsan Rasoulof
Structural Design:Behrang Baniadam, Rouhi Touski
Civil Engineer :Farhad Beigi
Electrical Engineer:Pejman Moradian
Mechanical Engineer:Saeid Afsharian
Culinary Manufacturer :Matbakh Ara
Environment Consultant:Salman Rasouli, Roya Yazdizadeh
Accommodation Consultant:Nassim Mossavvar
Project Constructor:Amir Tehrani Nobahari
Construction Manager:Hormat Ghasemi
Construction Vice Manager:Ramin Koulaghani, Amin Timas
Mechanical Constructor:Javad Irandegani, Hamid Haji Posht-e-Gol
Floor Constructor :Davoud Etemadi
Windows Builder:Mehra Company
Interior Plaster:Gholamali Abbasi
Exterior Plaster:Esmaeil Salimi
Construction Painter:Farzad Moharrami
Logistics :Nabiollah Timas, Borhan Pouyan, Ali Ghanbari, Ayoub Owj Hormozi, Khalil Owj Hormozi, Abdolhamid Hormozi, Davoud Hormozi, Ali Ghalandari Zehi, Farhad Shadan, Assad Gedri, Abbas Gedri, Ali Ghazi, Majid Bazmandeh, Ali Nasernia, Rahmat Ghalandari, Davoud Mohtaji, Morteza Mohtaji, Mohammad Vahedi, Masib Zarei, Kambiz Narouii, Yasser Narouii, Nassir Narouii, Din Mohammad Narouii, Mojtaba Farhadi, Abbas Nassaji, Esfandiar Khorshidi, Khoubyar Khorshidi, Jalal Bameri, Ghassem Bameri, Enayat Karami, Reza Amirian, Eshgh Ali, Nabi Akrami, Mohammad Moallemi, Sajjad Gholampour, Seyfollah Rasouli, Ali Golzari, Soheil Khedmatkari, Hosein Zohouri
Country:Iran

建築師:ZAV Architects
面積:10300平方米
年:2020
攝影:Tahmineh Monzavi,Soroush Majidi,Payman Barkhordari,Somayeh Saeidi
負責建築師:Mohamadreza Ghodousi,Fatemeh Rezaie,Golnaz Bahrami,Soroush Majidi
設計團隊:Sheila Ehsaei,Sara Jaafari,Payman Barkhordari,Mohsen Safshekan,Kaveh Rashidzadeh,Hossein Panjehpour
景觀:Maryam Yousefi,Morteza Adib
室內設計:Sara Jaafari,Taraneh Behboud,Sara Nikkar,Mohsen Dehghan
燈光顧問:泰江燈光
主管:Soroush Majidi,Payman Barkhordari,Sheila Ehsaei
模特兒:Somayeh Saeidi
演講:Fereshteh Assadzadeh,Somayeh Saeidi,Arshia Hashemipour,Dorsa Tavakoli,Sara Fallahzadeh
所有人:阿里·雷茲瓦尼(Ali Rezvani)
客戶:Ehsan Rasoulof
結構設計:Behrang Baniadam,Rouhi Touski
土木工程師:法哈德·貝吉
電氣工程師:Pejman Moradian
機械工程師:賽義德·阿富汗
烹飪製造商:馬特巴赫阿拉
環境顧問:Salman Rasouli,Roya Yazdizadeh
住宿顧問:Nassim Mossavvar
項目建設者:阿米爾·泰拉尼·諾巴哈里
施工經理:Hormat Ghasemi
施工副經理:Ramin Koulaghani,Amin Timas
機械製造商:Javad Irandegani,Hamid Haji Posht-e-Gol
地板構造者:Davoud Etemadi
Windows Builder:Mehra公司
室內石膏:Gholamali Abbasi
外牆抹灰:Esmaeil Salimi
建築畫家:Farzad Moharrami
物流:納比歐拉·提馬斯(Nabiollah Timas),博爾罕·普安(Borhan Pouyan),阿里·甘巴里(Ali Ghanbari),阿尤布·奧韋·霍爾莫茲(Ayoub Owj Hormozi),哈利勒·奧維·霍爾莫茲(Khalil Owj Hormozi),阿卜杜勒·哈邁德·霍爾莫茲(Davoud Hormozi),阿里·加蘭達里·澤希(Avod Gedan) Davoud Mohtaji,Morteza Mohtaji,Mohammad Vahedi,Masib Zarei,Kambiz Narouii,Yasser Narouii,Nassir Narouii,Din Mohammad Narouii,Mojtaba Farhadi,Abbas Nassaji,Esfandiar Khorshidi,Khoubyar Khorshimi,Enal Rem阿里(Ali),納比·阿克拉米(Nabi Akrami),穆罕默德·穆勒米(Mohammad Moallemi),薩賈德·古蘭普(Sajjad Gholampour),塞富拉·拉蘇里(Seyfollah Rasouli),阿里·古爾扎里(Ali Golzari),蘇伊爾·赫德馬特卡里(Soheil Khedmatkari),侯賽因·佐瓦里
國家:伊朗

Community empowerment via urban development, Hormuz Island, Iran – Hormuz is a formerly glorious historic port in the strategic strait of Hormuz in the Persian Gulf, South of Iran, that controls the shipment of petroleum from the Middle East. The island has outstanding colorful surreal landscapes. Oddly, the local inhabitants of the beautiful, touristic and politically strategic island struggle economically, getting involved in illegal trafficking activities using their boats. Presence in Hormuz is a series of urban developments by a semi-public institution that hired ZAV Architects, in order to empower the local community of the island. Its second phase is a multipurpose cultural residence called Majara residence (meaning adventure) that ties together the lives of local people and visitors both culturally and economically.

伊朗霍爾木茲島,通過城市發展增強社區能力-霍爾木茲是伊朗南部波斯灣霍爾木茲戰略海峽中曾經光榮的歷史港口,控制著來自中東的石油運輸。 該島擁有出色的多彩超現實景觀。 奇怪的是,美麗,具有旅遊和政治戰略意義的島嶼上的當地居民在經濟上掙扎,捲入了使用船的非法販運活動。 霍爾木茲的存在是由一家半公開機構聘用的ZAV Architects進行的一系列城市開發項目,目的是增強島上當地社區的能力。 第二階段是多功能文化住所,稱為Majara住所(意為冒險),它將文化和經濟上的當地居民和遊客的生活聯繫在一起。

What’s to my benefit, what’s to the benefit of all? In a country where the state struggles with political disputes outside its borders, every architectural project becomes a proposal for internal governing alternatives, asking basic questions: what are the limits of architecture and how can it suggest a political alternative for communal life? How can it attain social agency?

對我有什麼好處,對所有人都有什麼好處? 在一個國家與境外的政治爭端作鬥爭的國家中,每個建築項目都變成了內部治理替代方案的提案,提出了一些基本問題:建築的局限性是什麼?它如何為公共生活提出政治替代方案? 如何獲得社會代理?

Architecture has the capacity be a mediator in the middle ground that converges the interests of different groups, from the state and investors to various classes and groups of people. Majara does so in bringing together the owners of land from the neighboring port of Bandar Abbas who organize an annual land-art event in Hormuz, the investors from the capital city Tehran, and the local people of Hormuz as partners in the project.

建築具有充當中間人的調解人的能力,可以匯聚不同群體的利益,從國家和投資者到各個階層和人群。 Majara這樣做的目的是召集相鄰的阿巴斯港港口的土地所有者(該組織每年在霍爾木茲市舉辦一次土地藝術活動),首都德黑蘭的投資者以及霍爾木茲當地人作為該項目的合作夥伴。

Under the economic distress of sanctions, increasing the GDP generates social change, which in this project is achieved by: 1. Building economically, to the benefit of the client. 2. Earmarking a bigger share of the budget to labor costs rather than expensive imported materials, to the benefit of the local population, empowering them by offering training for construction skills. 3. An adaptive and future-proof spatial scenario that can respond to unpredicted need, to the benefit of the client and the island. 4. Using materials and human resources from Iran, to reduce construction and transportation costs and increase the GDP, to the benefit of the whole country.

在製裁造成的經濟困境下,國內生產總值的增加產生了社會變革,在該項目中,這可以通過以下方式實現:1.經濟上的發展,使客戶受益。 2.撥出更大比例的預算用於人工成本,而不是昂貴的進口材料,以造福當地居民,並通過提供建築技能培訓來賦予他們權力。 3.一種適應性強且面向未來的空間方案,可以響應意外需求,從而使客戶和島嶼受益。 4.利用伊朗的物資和人力資源,減少建築和運輸成本,增加國內生產總值,使整個國家受益。

Infinite Nader Khalili’s – Presence in Hormuz is a continuous process aiming at building trust rather than architectural objects, in order to encourage the participation of local people and the inclusion of their interests in any intervention in the island. The project is a multitude of small-scale domes built with the super- adobe technique of Nader Khalili, the innovative and simple technique using rammed earth and sand. Domes are familiar structures in the region. Their small scale makes them compatible with the building capabilities of local craftsmen and unskilled workers, which have been prepared for this project with previous smaller projects. Today they are trained master super- adobe masons, as if Nader Khalili multiplied exponentially.

無限納德·哈利利(Nader Khalili)-在霍爾木茲的存在是一個持續的過程,旨在建立信任而不是建築對象,以鼓勵當地人參與並在他們對島上的任何干預中融入他們的利益。 該項目是採用Nader Khalili的超級土坯技術建造的眾多小型圓頂,Nader Khalili是用夯土和沙土製成的創新而簡單的技術。 圓頂是該地區熟悉的結構。 它們的小尺寸使其與當地手工藝者和非熟練工人的建築能力兼容,而當地工匠和非熟練工人的能力已與以前的較小項目一起為該項目做好了準備。 如今,他們是受過訓練的超級土坯泥瓦匠,就像Nader Khalili呈指數級增長一樣。

Swelling Earth – the infinite number of colorful particles, be they soil, sand, gravel or stone, pile up and form the rainbow topography of Hormuz island. In this project a carpet is woven with granular knots inspired by the particles that make up the ecotone of the island. The sandbags that create the spatial particles (aka domes) are filled with the dredging sand of the Hormuz dock, as if the earth has swollen to produce space for accommodation.

膨脹的地球-無限數量的彩色顆粒,無論是土壤,沙子,碎石還是石頭,都會堆積並形成Hormuz島的彩虹形地形。 在這個項目中,地毯由顆粒狀結編織而成,這些顆粒的結點是由構成島上過渡帶的顆粒所激發的。 產生空間粒子(又稱圓頂)的沙袋充滿了霍爾木茲碼頭的疏sand沙土,就好像地球已經膨脹以產生容納空間。

FROM:https://www.archdaily.com/952361/presence-in-hormuz-2-zav-architects?ad_source=search&ad_medium=search_result_projects

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