Blackened wood borders a grid of evenly spaced volcanic rocks inside this pavilion, which Pontoatelier has designed to support social-distancing in the Azores.
Built on the volcanic São Miguel Island for the Walk&Talk arts festival, the Inbetween Pavilion is an open-air room for people to play, perform or practice yoga safely during the coronavirus pandemic.
熏黑的木頭與該涼亭內的均勻間隔的火山岩網格接壤，蓬圖阿特利耶（Pontoatelier）設計該涼亭是為了支持亞速爾群島的社會隔離。
Inbetween Pavilion建在火山的聖米格爾島（SãoMiguel Island）上，用於散步和說話藝術節，是一個露天房間，人們可以在冠狀病毒大流行期間安全地玩耍，表演或練習瑜伽。
The 25 rocks inside the structure are all placed at two-metre intervals, which is widely regarded as a safe distance between individuals in order to minimise transmission of Covid-19.
Pontoatelier’s goal is to offer a safe space for people to gather, while social distancing, to bring back a sense of freedom after a year of isolation and lockdowns.
結構內部的25塊岩石均以兩米的間隔放置，這被廣泛認為是個體之間的安全距離，以最大程度地減少Covid-19的傳播。
Pontoatelier的目標是為人們提供一個安全的聚會場所，同時遠離社會，在經過一年的孤立和封鎖後，可以恢復自由感。
“This atypical year of 2020 changed our way of living, our dimensions, distances, scales, in and out spaces,” Pontoatelier told Dezeen. “Now we have a new reality.”
“We designed a public space, and outside space that is more than physical, is also a spiritual one,” the studio continued. “In general, this is a space of liberty and freedom where we can be together.”
Pontoatelier告訴Dezeen：“到2020年這一非典型年份，改變了我們的生活方式，尺寸，距離，比例，進出空間。” “現在我們有了新現實。”
該工作室繼續說道：“我們設計了一個公共空間，而不僅僅是物理空間的外部空間也是一種精神空間。” “總的來說，這是我們可以團結在一起的自由空間。”
The pavilion is located within the centre of an abandoned golf course on the island and takes the form of a square measuring 20 metres by 20 metres, nodding to the year of 2020.
While supporting the layout of volcanic rocks at two-metre distances, a square layout was also chosen to juxtapose the organic forms of the natural materials used to construct it.
The Inbetween Pavilion’s minimal material palette includes cryptomeria wood – a type of large evergreen tree – and volcanic rock, selected by Pontoatelier as they are both abundant materials on the island.
The wood was charred after construction to complement the rocks and create contrast with the verdant landscape of the site, helping to draw attention to the pavilion.
涼亭位於島上一個廢棄高爾夫球場的中心，採用正方形的形式，面積為20米x 20米，一直到2020年。
在支持兩米距離的火山岩佈局的同時，還選擇了正方形佈局以並置用於構造岩石的天然材料的有機形式。
Inbetween Pavilion的最小材料調色板包括柳杉木（一種大型的常綠喬木）和火山岩，由Pontoatelier選擇，因為它們都是島上的豐富材料。
建造後將木材燒焦以補充岩石，並與現場青翠的景觀形成鮮明對比，有助於吸引人們對涼亭的注意。
“The Azores islands are like volcanic rocks that float in the middle of the Atlantic Ocean,” said Pontoatelier.
“We wanted to use materials from the place, literally only wood and stones. The volcanic stones and cryptomeria wood are very common on this island.”
Pontoatelier說：“亞速爾群島就像是漂浮在大西洋中部的火山岩。”
“我們只想使用當地的材料，實際上只有木頭和石頭。火山石和柳杉木材在這個島上很常見。”
The timber panels enclosing the pavilion are positioned at a slight incline, which creates triangular gaps at each corner.
These gaps function as discreet entrances, while still concealing what is inside the structure to attract passersby to enter and explore.
包圍涼亭的木板稍微傾斜，這在每個角處形成了三角形的縫隙。
這些空隙起到了謹慎的入口的作用，同時仍然隱藏了建築物內部的東西，以吸引路人進入和探索。
Black-coloured wood was also used to design the cylindrical pavilion In Absence by Edition office and Yhonnie Scarce, which won small building of the year at the Dezeen Awards 2020.
The minimalist pavilion in Australia was designed to highlight the erasure of Indigenous knowledge and memory from Australia’s national story.
版本辦公室和Yhonnie Scarce還用黑色的木材設計了圓柱形的亭子In Absence，並在2020年Dezeen獎中贏得了年度小型建築獎。
澳大利亞的極簡館旨在突出澳大利亞國家故事中對土著知識和記憶的擦除。
Other designers that supporting social distancing in light of the coronavirus pandemic include Object Studio, which has developed a portable bench for Amsterdam that allows users to sit two metres apart, and UNIT Fabrications, which created a series of mobile screens to keep children safe at a primary school in London.
A “Keep Your Distance” football pitch was among the 15 proposals by creative agencies that imagined how public spaces could be transformed to better support social distancing as part of an initiative called Where We Stand.
Photography is by Mariana Lopez.
根據冠狀病毒大流行而支持社會疏離的其他設計師包括Object Studio，該工作室為阿姆斯特丹開發了一個可讓用戶坐兩米的便攜式長凳，以及UNIT Fabrications，後者創建了一系列移動屏幕以確保兒童在安全的環境下工作。 在倫敦的小學。
創意機構提出的15項建議之一是“保持距離”足球場，他們設想如何將公共場所改造成更好地支持社會距離的活動，這是一項名為“我們站在哪裡”的倡議的一部分。
攝影是瑪麗安娜·洛佩茲（Mariana Lopez）。
FROM:https://www.dezeen.com/2020/12/24/pontoatelier-charred-wood-inbetween-pavilion-azores/
