Architects: Thomas Landemaine Architectes
Year: 2015
Photographs: MC Lucat
Project Lead :Grand Delta Habitat, City of Aigues-Mortes
City:Aigues-Mortes
Country:France
建築師：Thomas Landemaine Architectes
年：2015
攝影：MC Lucat
項目負責人：艾格莫爾特市大三角洲人居中心
城市：艾格莫爾特
國家：法國
The project of collective housing in Aigues-Mortes has been developed within an exceptional site, living witness of the 70s. The building is located in a factory estate whose architecture is marked by a modern style. The plot occupies a key spot; the work has to manage the transition from a scale to another, between 3-storey housings and individual houses the latter being scattered at the rear of the plot, on the property line.
艾格莫爾特（Aigues-Mortes）的集體住房項目是在一個特殊的地方開發的，是70年代的活著見證。 該建築位於工廠區，其建築具有現代風格。 該地塊佔據關鍵位置。 這項工作必須管理三層樓房和個體房之間從規模到另一層的過渡，後者散佈在地塊的後方，位於物業線上。
In order to compose with existing pieces, the TLA team has chosen to integrate and reinterpret some of the on-site architectural elements to the building aesthetic. As a result, the treatment of edging strips has been carefully thought and comes marking the floors to give a local dimension to the project. Although it is integrated in its context, it was important to give it a punch image, an identity. Consequently, architects chose to use wooden materials to unify the project. First, this material covers well and second it creates small subspaces, more secret universes. Being like little huts, the loggias create intimate outdoor spaces where it is pleasant to live. The wood emphasizes a feeling of warmth and of interiority but mostly permits one to manage opacities and transparences, and acts as a filter. Thus, “looking without being seen” becomes possible!
為了與現有作品融合在一起，TLA團隊選擇將一些現場建築元素整合併重新詮釋為建築美學。 結果，經過仔細考慮，對邊緣條的處理進行了標記，並標記了地板以賦予項目局部尺寸。 儘管它是集成在上下文中的，但給它打孔圖像即身份很重要。 因此，建築師選擇使用木製材料來統一項目。 首先，這種材料覆蓋得很好，其次，它創建了小的子空間，更多的秘密宇宙。 涼廊就像小木屋一樣，營造出私密的戶外空間，讓人們感到宜居。 木材強調溫暖和內在的感覺，但大多數情況下允許處理不透明和透明的事物，並充當過濾器。 因此，“看不見”成為可能！
Finally, marking the corners appeared as a way to reinforce the project geometry and to delimit distinctly two entities. The upper part, with fifteen apartments in double exposure, is covered of wood and punctuated of small appropriable volumes. The composition is sitting on a mineral base. Here, the addition of gabion baskets comes to strengthen the dichotomy feeling between the two elements. On the ground floor two public spaces nestle: a tax center and a police station.
最後，標記拐角似乎是一種增強項目幾何形狀並明確界定兩個實體的方法。 上部有十五套公寓，兩面都暴露在外，被木頭覆蓋，並被少量適當地佔據。 該組合物位於礦物基上。 在這裡，增加石籠網籃子可以增强两個元素之間的二分感覺。 一樓有兩個公共空間：稅收中心和派出所。
The main difficulty on this project were to conciliate cost, comfort, aesthetic, social and environmental issues. But this skin has not yet said its last word! Then, it takes a functional role and becomes a sunscreen. Playing with rhythms and exposures, it protects and receives light! Faithful to itself, this skin shapes and modulates the façade.
該項目的主要困難是調和成本，舒適性，美學，社會和環境問題。 但是這種皮膚還沒有說完話！ 然後，它發揮功能作用並成為防曬霜。 玩節奏和曝光，它可以保護和接收光線！ 忠實於自己，這種皮膚可以塑造和調整外觀。
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