Architects: Marc Mimram
Area: 10000 m²
Year: 2019
Photographs: Erieta Attali
Manufacturers: Alucobond
Director Associate:Martin Fougeras Lavergnolle
Chef Architect:Clémence Lepelletier
Architect:Samuel Rousselot
Chef Engineer:Simon Lods
Partner Architect :Alain Escriva
Mep & Hvac Consultant, Fluids :Ingérop
Scenographer :Architecture & Technique
Acoustics Consultant :Lamoureux acoustics
Contractor :BEC construction Languedoc-Roussilon
City:Narbonne
Country:France

建築師:Marc Mimram
面積:10000平方米
年:2019
攝影:Erieta Attali
製造商:Alucobond
董事助理:Martin Fougeras Lavergnolle
廚師建築師:ClémenceLepelletier
建築師:塞繆爾·羅素洛
廚師工程師:西蒙·洛茲
合夥人建築師:Alain Escriva
Mep&Hvac流體顧問:Ingérop
場景設計師:建築與技術
聲學顧問:Lamoureux聲學
承包商:BEC建築Languedoc-Roussilon
城市:納邦
國家:法國

This new sports and cultural facility announces the entrance to the city from the East. To inscribe the geometry of the room, detached from the ground and thus signal the new equipment on a distant scale, we have created a base from which emerges the recognizable geometry of the theater. A vast inverted dome with vibrant and continuous materiality.

這個新的體育和文化設施宣布從東方進入城市。 為了刻畫與地面分離的房間的幾何形狀,從而向遠處的新設備發出信號,我們創建了一個底座,從該底座可以看到劇院的可識別幾何形狀。 巨大的倒立圓頂,充滿活力和連續的物質。

The main bleacher, offering the largest gauge, forms a shell with a soft geometry that creates a canopy in the square, protecting from the sun and the rain.

We have established the building according to natural constraints and urban constraints. The square is protected from the cars and the tramontana by the building itself made up of the base and the room. We distinguish public access and services by their orientation, to the South towards the city for the public, to the North, for the services spaces.

主漂白器提供最大的規格,形成具有柔軟幾何形狀的外殼,該外殼在正方形中形成頂篷,防止日曬雨淋。

我們根據自然條件和城市條件建立了建築物。 由基地和房間組成的建築物本身保護廣場不受汽車和馬尾辮的傷害。 我們通過公共服務和服務的方向來區分公共服務和服務,即面向公眾的朝南,面向城市的朝北,針對服務空間的朝北。

We decomposed the building between the serving base and serving room. This decomposition allows us to integrate a second scale of the project, the scale of the pedestrian, and offering every day a complement of fluidity to the public space which could be the place of distinct events or particular appropriations.

我們分解了服務基地和服務室之間的建築物。 這種分解使我們能夠整合項目的第二個規模,即行人的規模,並每天為公共空間提供流動性的補充,而公共空間可以是不同事件或特定撥款的地方。

The project is composed of three parts:

The hall. The hall is inscribed to the south, in continuity with the square, slips under the shell of the hall forming a canopy.
It accommodates the public services, ticket office, sanitary facilities, and refreshments and extends over the forecourt.
The main room. The main room is, given the character of the desired very high sporting and cultural level, shaped around the acoustic concern and the performance and adaptability of sports and stage lighting.

該項目包括三個部分:

大廳。 大廳與廣場連續南側刻在大廳的外殼下方,形成頂篷。
它可以容納公共服務,售票處,衛生設施和茶點,並延伸到前院。
主房間。 鑑於所需的非常高的體育和文化水平的特點,主房間圍繞聲學問題以及體育和舞檯燈光的性能和適應性而定。

The bleachers of the hall are shaped to offer a sports hall concentrated on the lower bleacher offering 1925 seats in Volley Ball configuration and a real zenith composed of a continuous main bleacher without an intermediate ambulatory, avoiding a horizontal break that could affect the atmosphere of the room, and keep spectators away from the stage.

大廳的看台的形狀設計為提供一個體育館,集中在較低的看台上,提供1925個排球配置的座位,而真正的天頂則由連續的主看台組成,沒有中間門廊,從而避免了可能影響環境的水平休息。 房間,讓觀眾遠離舞台。

The hall offers 4950 seats in the maximum show configuration. The project offers the best compromise between sport and spectacle in order to give the necessary cauldron atmosphere of a sports competition hall and the privileged orientation of the main bleacher towards the stage.

展廳最多可容納4950個座位。 該項目在運動和眼鏡之間做出了最好的折衷,以提供體育比賽館必要的大鍋氣氛以及主看台向舞台的優先定位。

Service spaces. The services, technical, administrative, reception, or changing rooms are those allowing all the operating equipment. We paid great attention to the different flows, to the handling areas, in order to provide adequate spaces.

服務空間。 服務,技術,行政,接待或更衣室是指允許所有操作設備使用的服務。 為了提供足夠的空間,我們非常注意不同的流程和處理區域。

The organization of the room in a “show” configuration is based on a frontal relationship. The stage takes the place of the telescopic bleachers on the long side, allowing a greater distance to the stage. The equipment is arranged to meet the different configurations of shows and sporting events.

“展示”配置中的房間組織基於正面關係。 舞台在長邊代替了伸縮式看台,允許到舞台更大的距離。 安排設備以適應表演和體育賽事的不同配置。

Finally, we have planned a “Living room” configuration depending on the activity spaces of the two rooms, with the aim of reducing as much as possible the walking space.

最後,我們根據兩個房間的活動空間計劃了一個“客廳”配置,目的是盡可能減少步行空間。

The new multimodal hall in Narbonne is not a monument, it is a welcoming building, open to the city, offered to residents, spectators, local actors who will know how to appropriate it, in a form of urban domesticity.

By the material unity and the vibration of its facade, it takes place in the city, responds to its environment, it is seen to be recognized as a major piece of equipment in the city. In its built environment, it makes it possible to constitute a landmark in the ongoing urban remodeling and to settle in a public space that visitors will know how to share in the representation of public facilities in the city.

納博訥(Narbonne)新建的多式聯運大廳不是一座紀念碑,它是一座歡迎城市使用的建築,向居民,觀眾和當地演員提供,這些居民將知道如何以城市生活的方式使用它。

通過材料的統一性和立面的振動,它發生在城市中,響應其環境,被認為是城市中的主要設備。 在其建成的環境中,它可以構成正在進行的城市改建的標誌性建築,並可以定居在公共空間中,遊客將知道如何分享城市中公共設施的代表性。

The project makes it possible to imagine here a place of life, a cultural and sporting space, open to all that promotes local life by opening up to the city. We will be able to pay the necessary attention to it to provide generous equipment for the benefit of everyone.

該項目使人們可以在這裡想像一個生活場所,文化和體育空間,向所有人開放,通過向城市開放來促進當地生活。 我們將能夠對此給予必要的重視,以提供慷慨的設備,造福所有人。

FROM:https://www.archdaily.com/952436/narbonne-arena-marc-mimram?ad_source=search&ad_medium=search_result_projects

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