Architects: Atelier Data
Area: 250 m²
Year: 2018
Photographs: Richard John Seymour
Team:Filipe Rodrigues, Inês Vicente, Marta Frazão, Filipa Neiva, Joana Matos, Ricardo Carvalho
Engeneering:NCREP/DAJ
Construction:João Bernardino, Construções ecológicas
City:Cercal do Alentejo
Country:Portugal
建築師：工作室數據
面積：250平方米
年：2018
攝影：理查德·約翰·西摩
車隊：菲利普·羅德里格斯（Filipe Rodrigues），因內斯·維森特（InêsVicente），瑪塔·弗拉贊（MartaFrazão），菲利帕·尼瓦（Filipa Neiva），喬安娜·馬托斯（Joana Matos），里卡多·卡瓦略
工程：NCREP / DAJ
建設：若昂·貝納迪諾（JoãoBernardino），生態建築
城市：阿倫特茹（Cercal do Alentejo）
國家：葡萄牙
TIME, SPACE AND PLACE｜時間，空間和地點
In Cercal House time and space are not separate dimensions but rather interdependent. There is the time that corresponds to the cycles of nature, the time of who inhabits the place and there is the space that is shaped and influenced by it.
在Cercal House，時間和空間不是分開的維度，而是相互依存的。 存在著與自然週期相對應的時間，是居住在這個地方的人的時間，並且存在著受其塑造和影響的空間。
Alentejo – the place where the house is located – is also a challenge. As Miguel Torga says, Alentejo represents “the maximum and the minimum we can aspire to: the wilderness of an infinite dream and the reality of an exhausted soil.”
The Cercal House is thus a proposal that explores the possibilities of a new time and space in a place also marked and altered by the novelty of the house, wishing ultimately to build a renewed commitment between man and landscape.
房屋所在地阿連特茹（Alentejo）也是一個挑戰。 正如米格爾·托爾加（Miguel Torga）所說，阿連特茹代表著“我們可以追求的最大和最小：無限夢想的曠野和疲憊的土地的現實。”
因此，Cercal住宅是一項提議，旨在探索一個新時代和新空間在該住宅中也以新穎性為標誌和改變的可能性，並最終希望在人與景觀之間建立新的承諾。
INTERVENTION STRATEGY｜干預策略
Located on a terrain whose halfpipe morphology is motivated by a water line that crosses it, the house is implanted in one of the slopes that the river divides, next to the remains of an old construction.
The search for the right position and solar orientation, in parallel with a volumetry that searches for a skillful dialogue with the slope and also the pursuit of the best visual horizon, synthesize the main intervention strategy guidelines.
該房屋位於一條半管形態受穿過其的水線驅動的地形上，被植入河流所分隔的一個山坡中，緊鄰一處舊建築的遺跡。
在尋找正確的位置和太陽方向的同時，還進行了量身工作，以尋求與斜坡的熟練對話以及追求最佳視野，從而綜合了主要的干預策略指南。
In addition, the project sought to meet other principles of which we highlight:
Appeal to the traditional house archetype as a structure tha carries a solid memory and as a support for new formal manipulations and spatial interpretations;
Introduction of patios as light-enhancing element and reflection in the interior, doubling the exterior spaces with a more intimate vocation; Functional program distribution considers the social area as the centre of the house, around wich is organized the remaining program of more restricted acess.
此外，該項目試圖滿足我們強調的其他原則：
呼籲傳統的房屋原型，因為其結構具有紮實的記憶力以及對新形式操縱和空間解釋的支持；
引入露台作為增光元件並在內部反射，通過更私密的方式使外部空間加倍； 功能性程序分配將社交區域視為房屋的中心，並組織了更多受限訪問的剩餘程序。
Intensification of the relationship between interior and exterior by extending the roof and projecting a platform that comes from the social area and is topped by a water plan – a tank that builds the platform boundary; Mediation between interior and exterior space through the introduction of a transition space – the porch. This space is reinforced by the introduction of sliding panels that expando r confine the house boundaries and the horizon; The use of local constructive systems and traditional materials reinterpreted in the logic of a contemporary
Prevailing use of white color in walls and floors in contrast to the “Alentejo blue” used in transitory and light elements as the access door to the house.
通過擴展屋頂並投影一個平台來增強內部和外部之間的關係，該平台來自社會區域，並以水平面圖為頂部-水箱建立平台邊界； 通過引入過渡空間-門廊在室內和室外空間之間進行調解。 通過引入可擴大房屋邊界和水平範圍的滑動面板，可以增強空間。 在當代邏輯中重新詮釋了當地建築系統和傳統材料的使用
在牆壁和地板中普遍使用白色，與在房屋的臨時和輕元素中使用的“阿連特茹藍色”形成鮮明對比。
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