Architects: BAarqs
Area: 205 m²
Year: 2019
Photographs: Walter Salcedo
Manufacturers: EQUITONE, Maya, Robert McNeel & Associates, ZBrush, a y v Group
Lead Arquitect:Guillermo Banchini, Marcos Dana, Ramiro Sienra, Eugenio Tenaglia Giunta, Jerónimo Berta.
Design Team:Guillermo Banchini, Marcos Dana, Ramiro Sienra, Eugenio Tenaglia Giunta, Jerónimo Berta.
Execution:TLP Construcciones SRL.
Clients:Sindicato de conductores de camiones – Santa Fe
Engineering:VCI ingeniería. Desarrollo: Juan Ignacio Barbero
Ventilated Facade:Imac Construcciones
Air Conditioning:Texon – Cristian Notario
City:Villa Constitución
Country:Argentina

建築師:BAarqs
面積:205平方米
年:2019
攝影:Walter Salcedo
製造商:EQUITONE,Maya,Robert McNeel&Associates,ZBrush和y v Group
首席負責人:吉列爾莫·班奇尼(Guillermo Banchini),馬科斯·達納(Marcos Dana),拉米羅·西恩拉(Ramiro Sienra),歐金尼奧·特納利亞·吉安塔(Eugenio Tenaglia Giunta),熱羅尼莫·貝塔(JerónimoBerta)。
設計團隊:吉列爾莫·班奇尼(Guillermo Banchini),馬科斯·達納(Marcos Dana),拉米羅·西恩拉(Ramiro Sienra),歐金尼奧·特納利亞·吉安塔(Eugenio Tenaglia Giunta),熱羅尼莫·貝塔(JerónimoBerta)。
執行:TLP Construcciones SRL。
客戶:Sindicato de Conductions de Camiones-聖達菲
工程:VCIingeniería。 Desarrollo:Juan Ignacio Barbero
通風外牆:Imac構造型
空調:德克薩斯州-克里斯蒂安·諾塔里奧
城市:VillaConstitución
國家:阿根廷

The Project arises from the need of an extension of an already existing building. Initially, it was possible to verify that the actual building had a formal and purely generic organizational nature as a result of the reformulation of a basic typology and structure: “The Sausage House”.

該項目源於對現有建築物的擴展需求。 最初,由於重新定義了基本的類型和結構:“香腸屋”,因此可以驗證實際建築物具有正式的和純粹的通用組織性質。

The site is divided into several modules, three perpendicular to the street and a regular and progressive succession parallel to the same street. Two of these modules contain the main program and the remaining ones serve as a connection to other alternative programs that operate in an adjacent lot towards the center of the block. The expansion would take place above, on a new layer, and although it should work as an independent piece with direct access from the street, it should also be internally connected.

該地點分為幾個模塊,三個模塊垂直於街道,而規則且漸進的繼承平行於同一條街道。 這些模塊中的兩個包含主程序,其餘模塊用作與其他替代程序的連接,這些替代程序在相鄰的批次中朝向塊的中心運行。 擴展將在上面的新層進行,儘管它應作為獨立的作品並可以從街道直接訪問,但也應在內部進行連接。

A vertically arranged shape would be more beneficial in a vertical frame than a horizontal one; however, there is a particularity in the horizontal way: a set of verticals will get a horizontal structure when considered as a group. This dichotomy between horizontal pre-existence and vertical growth would search its own balance in the joint composition.

垂直排列的形狀在垂直框架中比水平框架更有利; 但是,水平方式有一個特殊性:一組垂直線在作為一個組時將具有水平結構。 水平存在與垂直增長之間的這種二分法將在關節組成中尋求其自身的平衡。

If the horizontals expressed stability as a base, the verticals will transmit speed and a greater sense of movement, either up or down. Verticality would be an argument for visual and spatial balance, but at the same time, a channeling of light. The new horizon would be vertical. A set of truncated cones crown the building and filter the light evenly into the interior.

如果水平線以穩定性為基礎,則垂直線將傳遞速度和更大的上下移動感。 垂直度將是視覺和空間平衡的一個論據,但同時也是光線的通道。 新的視野將是垂直的。 一組圓錐形的圓錐形將建築物加冕,並將光線均勻地過濾到內部。

The envelope is materialized with cementitious, Eternit, grooved panels, which are organized in a manner that makes the facade oriented in a vertical way, framing the boundary lines and from there directing them towards the center and downwards, where the different entrances are integrated. This intensifies the dichotomy of the two dominant orientations: the horizontal of the context and the vertical of the crown and the light.

信封採用水泥質的,Eternit的,帶凹槽的面板來實現,該面板的組織方式使立面垂直定向,將邊界線框起來,然後從那裡將邊界線引向中心和向下,在此處集成不同的入口。 這加劇了兩個主要方向的二分法:上下文的水平以及冠和光的垂直。

The interior space is also materialized as a monolith material, but in this case the material is wood. This way the envelope sets up a membrane whose composition adapts to different climatic circumstances [ventilated facade] in an effective and ergonomic way. With this strategy, a front and a back are revealed. The front is materialized with a monolithic panelized in gray, thus creating a dialectic game of emphasis and dissolution based on the effects and color of natural light in its relationship with the environment. In opposition, the back side, is materialized with a monolith of wood ochre color, which gives character and proportion to the interior space, and at the same time, it sifts and controls the color of natural light generating homogeneous and warm atmospheres.

內部空間也被實現為整體材料,但是在這種情況下,該材料是木材。 這樣,封套就可以形成一種膜,其組成可以有效且符合人體工程學的方式適應不同的氣候條件(通風的外牆)。 通過此策略,可以顯示正面和背面。 正面採用灰色整體面板實現,從而根據自然光與環境的關係和顏色,創建了強調和消散的辯證遊戲。 相反,背面則用整塊o石色來實現,這賦予了室內空間以個性和比例,同時,它過濾並控制了自然光的顏色,從而產生了均勻而溫暖的氣氛。

This way the project becomes a “multifaceted topological membrane” that is form and light, context and interior and exterior spatial atmospheres.

這樣,項目就變成了一個“多面拓撲膜”,它是形式和光線,背景以及內部和外部空間氣氛。

FROM:https://www.archdaily.com/950481/scc-villa-clinic-baarqs?ad_source=search&ad_medium=search_result_projects

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