Invisible Studio founder Piers Taylor has carried out an extensive retrofit of Moonshine – his own off-grid home near Bath in southwest England.

Taylor remodelled Moonshine, which was named by UK architecture magazine Architects’ Journal as Small Project of the year when it completed, to make it a more sustainable home.

Invisible Studio創始人Piers Taylor對Moonshine進行了廣泛的改造,該項目是他自己在英格蘭西南部Bath附近的無網格房屋。


“I wanted to banish the demons of my youth and move on from the house that I had designed as a young architect,” said Taylor.

“In the intervening years, I have learnt so much, while technologies and materials have improved,” he continued.

“We have loved living in Moonshine over the last two decades but it needed an overhaul and there’s something very enjoyable about being able to tinker with your surroundings to improve them, which I suppose is what we’ve been doing across the whole site.”




Moonshine was originally built in 2002 as a conversion of a crenellated schoolhouse for a large country house into a home for the architect. Taylor renovated the 18th-century building and added a timber extension, with all the material carried along a half a mile path to the site as at the time the house had no vehicle access.

Now, 18 years on, Taylor has improved the home’s environmental performance by largely replacing the timber extension’s external cladding.

Moonshine最初建於2002年,最初是將用於大型鄉間別墅的帶鋸齒狀的校舍改建為建築師的住宅。 泰勒(Taylor)翻修了18世紀的建築,並增加了木材的延伸,所有材料都沿著半英里的路徑運送到了現場,因為當時房屋無法通行。


“I wanted to make the house as super-insulated and energy-efficient as possible, by upgrading all the external fabric to Passivhaus standards,” Taylor told Dezeen.

“Originally, 20 years ago, my thinking was ventilation and passive solar and now it was airtightness, superinsulation and controlling the west sun to avoid overheating.”



Extra layers of insulation were added to the walls, while several of the home’s larger windows were infilled with plywood.

All of the remaining windows and screens were replaced with high-performance glass and externally the building was clad in black corrugated steel, as was the roof.

Within the house, the majority of the internal finishes were retained to avoid disruption for Taylor and his family.




“We wanted to minimise disturbance as much as possible so we retained internal linings were possible and over clad these from the outside face of the internal linings,” said Taylor.

“Glass technology has moved on enormously in 20 years and as we wanted to reduce the area of closing to the north and west it made sense to replace all glazing,” he continued.

“We also retained the oak frame and also over clad the kitchen with new stainless steel tops as they had to be raised up to deal with the new floor heights because of new insulation.”




Taylor believes that he has improved the home by removing the parts of the initial project that did not work while retaining its core identity.

“For me, the delight of banishing my younger self by removing elements that didn’t work outweighed any worries about losing elements, and buildings are always developing, adapting and changing,” he said.

“I think the project shows the contradictions we all wrestle with and attempt to reconcile.”




The project also reflects how Taylor’s views towards architecture have developed from one of his earliest projects.

“Weirdly I wanted less now,” he said. “I spend much of my working life agonising over the tiniest details that I hardly wanted to notice any architecture at home and wanted the building to disappear, both into the landscape and also to be the background.

“It was also done on a budget, and when on a budget, you need to be ruthless about only doing so much,” he continued.


他說:“很奇怪,我現在想要的更少。” “我一生的大部分時間都在為最微小的細節而苦惱,我幾乎不想在家裡註意到任何建築,並且希望這座建築消失在風景和背景之中。


Moonshine is situated in a forest near Bath. The off-grid home has a biomass boiler fed from waste timber from the surrounding woodland for heating and hot water as well as photovoltaic panels on the roof for electricity.

Since Taylor completed the original home he has built several additional structures within the surrounding woodland.

These buildings include a workshop on stilts for Invisible Studio that was built from reclaimed materials and timber from the surrounding woods, a fibreglass model-making shed and a long-drop composting toilet.

Photography and video by Jim Stephenson.

Moonshine位於巴斯附近的森林中。 離網房屋有一個生物質鍋爐,由周圍林地的廢木材供暖,供熱水和熱水,屋頂上的光伏板也可以供電。


這些建築物包括為Invisible Studio設計的高蹺車間,該車間由回收的材料和周圍樹林的木材建造而成,還設有玻璃纖維模型棚和長期掉落的堆肥廁所。

Jim Stephenson的攝影和錄像。



We're not around right now. But you can send us an email and we'll get back to you, asap.


Log in with your credentials


Forgot your details?

Create Account