Untitled House is a residential extension and renovation in Camberwell, London, by architecture studio Szczepaniak Astridge that centres around a “concrete sculpture”.

The project was undertaken by Szczepaniak Astridge for a client called Rachel, who is the VP creative of a major British fashion house.

“無題房屋”是倫敦坎伯韋爾的住宅擴展和翻新工程,由建築工作室Szczepaniak Astridge圍繞“混凝土雕塑”設計。

該項目由Szczepaniak Astridge為一位叫Rachel的客戶進行,該客戶是英國一家主要時裝公司的創意副總裁。

Rachel asked Szczepaniak Astridge to create a home where she could relax and decompress after work.

“Untitled House has no name. Like a piece of art with no name,” said the studio.

“We wanted to introduce a concrete-walled void through from the kitchen up to the bathroom. This enables smells and sounds to travel up and down the house.”

瑞秋(Rachel)要求Szczepaniak Astridge創建一個可以在工作後放鬆和減壓的房屋。



Concrete poured in situ forms the foundations, floors, walls and ceilings of the ground-storey kitchen and a new bathroom on the first floor.

A double-height space has been left open above part of the kitchen, connecting it to the bathroom above.



The gap is ringed by a concrete half-wall topped by polished stainless steel Crittal windows created by specialist metalworkers.

These windows form a screen for a monolithic bathtub that sits, like another miniature void, on the other side. The deep and square tub is formed of the same dark concrete as the walls and floor.


這些窗戶形成了一個整體式浴缸的屏風,像另一隻微型空隙一樣,浴缸又位於另一側。 深而方形的浴缸由與牆壁和地板相同的深色混凝土製成。

These sculptural concrete elements are a reference to the work of Gordon Matta-Clark, the architect-trained artist who made dramatic cut-outs in buildings.

“The bathroom on the first floor was designed as a place to retreat to, to guiltlessly linger and hang out,” said the studio.

這些雕塑性的混凝土元素是對Gordon Matta-Clark作品的參考,Gordon Matta-Clark是受過建築師培訓的藝術家,在建築物中進行了剪裁。


The sinks of dark polished stone were designed by Rachel and made to specification to complement the moody atmosphere of the room.

Downstairs, the kitchen is lit by light coming down through the void and by a long skylight cut into the timber-lined ceiling. A trough-style sink, salvaged and restored by the client, sits against a raw-concrete column.


樓下的廚房被從空隙中射出的光線以及切入木質襯砌天花板的長天窗所照亮。 由客戶打撈並修復的槽式水槽靠在一個原始混凝土柱上。

Grey concrete boxes form benches under both sides of the windowsills between the kitchen and outdoor terrace.

On the exterior side, deep timber eaves shelter the seating area and the bi-folding doors that open out on to the patio.



This timber rear facade was designed Szczepaniak Astridge and built by Turner Prize-winning studio Assemble from birch plywood and solid beech with steel connectors.

“The design was conceived as a moving jewellery box,” said Szczepaniak Astridge.

“The facade opens up and closes and is protected by a large 0.5-metre overhang from the rain.”

木質後立面由Szczepaniak Astridge設計,由特納獎得主工作室Assemble用樺木膠合板和帶鋼連接件的實心山毛櫸製成。

Szczepaniak Astridge說:“設計被設想為可移動的珠寶盒。”


During the renovation process for the original house, the studio peeled back layers of wallpaper from the walls.

They used these discoveries to inform the palette of colours for the redecoration, and saved sections of the stripped paper for a book they made for Rachel about the project.

Szczepaniak Astridge is a London studio founded by Simon Astridge and Nicholas Szczepaniak. A previous project from the practice featured a rooftop extension with a timber bathtub in front of a window.

Photography is by Nicholas Worley.



Szczepaniak Astridge是由Simon Astridge和Nicholas Szczepaniak創立的倫敦工作室。 該實踐的先前項目是在屋頂前延伸部分,在窗戶前設有一個木質浴缸。

攝影是尼古拉斯·沃利(Nicholas Worley)拍攝的。



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