Architects: fabrikg
Area: 127 m²
Year: 2019
Manufacturers: AutoDesk, BambuSoluciones, Bambucid, Band it, Fierro, Robert McNeel & Associates, SAYER
Lead Architect:Gonzalo Elizarraras, Maria Manuel Ponte
Design Team:Gonzalo Elizarraras, Maria Manuel Ponte, Alejandro Martinez, Martin Cesena, Ángel Máximo, David Campos
Clients:Puerto Raíz
Landscaping:fabrikg
City:San José del Cabo
Country:Mexico

建築師:fabrikg
面積:127平方米
年:2019
製造商:AutoDesk,BambuSoluciones,Bambucid,Band it,Fierro,Robert McNeel&Associates,SAYER
首席建築師:貢薩洛·埃利薩拉拉斯,瑪麗亞·曼努埃爾·龐特
設計團隊:貢薩洛·埃利薩拉拉斯,瑪麗亞·曼努埃爾·龐特,亞歷杭德羅·馬丁內斯,馬丁·切塞納,安格爾·馬西莫,大衛·坎波斯
客戶:波多黎各
園林綠化:fabrikg
城市:聖何塞卡波
國家:墨西哥

Located within the northern perimeter of the Estero de San José del Cabo (BCS Mexico), “Flor de Bambú” is the first materialization of a series of natural constructions that will compose the “Puerto Raíz” Project, a property created for the realization of events.

“ Flor deBambú”位於聖何塞·德爾卡波(Estero de SanJosédel Cabo)(BCS墨西哥)的北部邊界內,是一系列自然建築的首次實現,這些自然建築將組成“ PuertoRaíz”項目,該項目是為實現 事件。

“Flor de Bambú” (Bamboo Flower) is generated with the idea of a courtyard as a starting point that welcomes visitors and distributes them in space, directing them to the private areas – the female or male bathrooms. A small courtyard protected by an ovoid-shaped wall of reed naturally follows the movement of the outer reed and contains the space without separating it from the natural environment. The planters create privacy and extend the natural envelope to the interior, creating the sensation of the continuation of the same natural environment.

“ Flor deBambú”(竹花)的產生以庭院為起點,歡迎來訪者並將其分佈在空間中,將其引向私人區域-女性或男性浴室。 一個由卵形的蘆葦壁保護的小院自然地跟隨著外部蘆葦的運動,並在不與自然環境分離的情況下容納了空間。 種植者創造了私密性,將自然的包絡延伸到了室內,營造了延續自然環境的感覺。

The two ramps start the path to the bathrooms, leading visitors to lose themselves between the vertical bamboo strips that form the private cubicles and the textured wall of the urinals; a fine and elegant finish that form various elements integrally from walls, luminaires, to the structure itself.

這兩個坡道通向浴室,引導遊客迷失在形成私人小隔間的垂直竹條和小便池的斑駁牆壁之間。 精緻優雅的飾面,從牆壁,燈具到結構本身,形成了各種元素。

Several bamboo columns form the central flower that opens up to the limits of the reed wall and, together with the horizontal rings, create a mesh of structural interdependence. A central concrete column roots and balances the structure. The metal hoops with tensioners are shaped like a mandala, allowing cooperation and balance between the different elements. Vertical bamboo poles help to support the entire fabric sideways, creating rhythm and disorder at the same time, almost as if they had grown there.

幾根竹柱構成中央花,該花向蘆葦壁的邊緣敞開,並與水平環一起形成結構相互依存的網格。 中央混凝土柱支撐並平衡結構。 帶有張緊器的金屬箍形狀像曼陀羅,允許不同元素之間的配合和平衡。 垂直的竹竿有助於橫向支撐整個織物,同時產生節奏感和混亂感,就像它們生長在那兒一樣。

The materials evoke the local construction tradition and dignify its use today, in a harmonious composition between traditional and modern techniques of bio-construction using mostly elements that are part of the vernacular construction of Baja California Sur (reed, bamboo, wood). On the other hand, the incorporation of bamboo as the main theme seeks to promote the use of this natural resource present in the region, but not yet exploited as a noble construction material, seeking a change of the paradigm on a local level. The incorporation of metal in the connections allows a dialogue between traditional and industrial techniques, a dichotomy that promotes the revitalization of traditional construction techniques, preventing them from disappearing.

這些材料喚起了當地的建築傳統,並使其今天的使用更加莊重,採用了傳統和現代生物建築技術之間的和諧組合,主要使用了南下加利福尼亞州的白話建築(蘆葦,竹子,木材)中的某些元素。 另一方面,以竹子為主要主題旨在促進對該地區存在的這種自然資源的利用,但尚未被開發為一種高貴的建築材料,試圖在地方一級改變這種範式。 金屬在連接中的結合使傳統技術與工業技術之間可以進行對話,這種二分法促進了傳統建築技術的複興,並防止了它們的消失。

Since located next to Estero Josefino, a protected natural wetland area with a high risk of flooding, the structure was raised 1m from ground level with a stone base to avoid damage in case of flooding. On the other hand, the history of strong winds and hurricanes in the area determined the materialization of this structure that sought to be as permeable as possible. Thus, the shade mesh is easily removable so that the wind can pass between the organic elements without any impediment, and the flexibility of the bamboo itself allows it to move without collapsing.

由於該建築物毗鄰具有很高洪水氾濫風險的受保護的自然濕地埃斯特羅·約瑟夫諾(Estero Josefino),因此該建築物從地面抬高了1m,並用石頭砌成底座,以避免洪水造成的損壞。 另一方面,該地區的強風和颶風歷史決定了該結構的物化,該結構試圖盡可能地滲透。 因此,遮陽網很容易拆卸,因此風可以在有機元素之間通過而不會受到任何阻礙,並且竹子本身的柔韌性使其可以移動而不會塌陷。

Since being a sanitary installation, a micro plant for wastewater treatment was incorporated in order not to create organic sludge and allowing the purification of wastewater by finishing the cycle in an existing natural pond, creating a biological purifying filter enabling the future use of the water for irrigation and at the same time regenerating the natural environment and activating the ecosystem.

由於是衛生設備,因此合併了一個用於廢水處理的微型工廠,以免產生有機污泥,並通過在現有天然池塘中完成循環來允許廢水淨化,從而創建了一種生物淨化過濾器,從而可以將來將水用於污水處理。 灌溉,同時再生自然環境並激活生態系統。

FROM:https://www.archdaily.com/930921/bathroom-pavillion-flor-de-bambu-fabrikg?ad_source=search&ad_medium=search_result_projects

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