Architecture studio Bence Mulcahy has added a black steel-framed glass extension to a 19th-century villa in Mount Stuart, Tasmania.
Replacing a former 1987 glass house, the new extension, named the Mount Stuart Greenhouse, was designed to meet the client’s desire to live surrounded by the garden.
建築工作室Bence Mulcahy在塔斯馬尼亞州斯圖爾特山（Mount Stuart）的一棟19世紀別墅中添加了黑色鋼架玻璃擴展板。
新的擴展名為“斯圖爾特山溫室”，取代了以前的1987年的玻璃房，其設計目的是滿足客戶對被花園包圍的居住需求。
The red brick house was built in Federation-era style and has a timber veranda overlooking the lush gardens that surround it.
Bence Mulcahy created bright new living spaces that look out to the trees that line the site boundary through the expanse of glazing.
紅磚房屋以聯邦時代的風格建造，並設有一個木製陽台，可俯瞰周圍鬱鬱蔥蔥的花園。
Bence Mulcahy創造了明亮的新生活空間，這些生活空間俯瞰著樹木，這些樹木在廣闊的玻璃窗中襯托著場地邊界。
Located at the southeastern corner of the original home, the two-storey extension continues the axis through from the entrance towards a large terrace at the rear of the house.
The extension includes a kitchen and dining area at ground floor and a dressing room and viewing area above.
這棟兩層高的建築位於原始房屋的東南角，從入口一直延伸到房屋後方的大露台。
擴展部分包括一樓的廚房和用餐區以及更衣室和上方的觀看區。
While the original home features a sandstone base, redbrick walls and a timber veranda finished with metal filigree, Bence Mulcahy chose contemporary finishes that are gradually introduced throughout the interior.
“As one moves through the home, traces of the new present themselves by degrees, culminating in the kitchen dining are where the full extent reveals itself,” said the studio.
原始房屋的特點是砂岩底座，紅磚牆壁和金屬花絲裝飾的木材陽台，Bence Mulcahy選擇了在整個室內逐漸採用的現代裝飾。
該工作室說：“當人們穿過家中時，新事物的踪跡會逐步顯現出來，並最終在廚房用餐中得以充分展現。”
Despite this visual difference, the extension was kept “subserviently” below the soffit of the existing home to minimise the impact on its historic fabric.
Directly abutting the villa’s brick walls, the black steel supports of the extension mimic the black timber of the veranda.
儘管存在視覺上的差異，該擴展仍“巧妙地”保留在現有房屋的拱腹下方，以最大程度地減少對其歷史結構的影響。
延伸部分的黑色鋼製支架直接鄰接別墅的磚牆，模仿了陽台的黑色木材。
Shelving connects to the external steel structure, wrapping around the new kitchen and dining area
Large counter-tops and tables with built-in storage units are made of dark timber.
貨架連接到外部鋼結構，環繞新的廚房和用餐區
帶有內置儲物單元的大型檯面和桌子由深色木材製成。
Upstairs, the dressing room sits set-back from the glazed envelope of the greenhouse, creating a wrap-around viewing area that also creates a buffer for privacy in the bedroom.
樓上的更衣室從溫室的玻璃信封中退縮，形成一個環繞的觀看區域，也為臥室的隱私提供了緩衝。
In the adjacent tiled bathroom, this notion of privacy is reversed by a freestanding bath positioned directly against the window, providing dramatic views out to the garden.
在相鄰的瓷磚浴室中，這種私密性的概念與直接靠在窗戶上的獨立式浴缸相反，可將花園的美景盡收眼底。
All of these interior spaces make use of details and materials that will patinate and weather over time, such as brass and sandstone.
As the extension naturally weathers it will start to match the more lived-in look of the main villa.
所有這些內部空間都利用了會隨著時間推移而老化和老化的細節和材料，例如黃銅和砂岩。
隨著擴建部分的自然氣候變化，它將開始與主別墅更活潑的外觀相匹配。
“Hand crafted details and materials blur the distinction between the existing and new, and provide continuity of pattern and texture through the space,” said the studio.
Based in Hobart, Tasmania, Bence Mulcahy was founded in 2014 by Sophie Bence and Shamus Mulcahy.
該工作室說：“手工製作的細節和材料模糊了現有和新的區別，並在整個空間中提供了圖案和紋理的連續性。”
Bence Mulcahy總部位於塔斯馬尼亞州霍巴特，由Sophie Bence和Shamus Mulcahy於2014年創立。
Also in Tasmania, John Wardle Architects has restored an original cottage on a remote bay, and Andrew Burns Architecture has designed a series of lodges along a hiking trail on the island’s southeastern coast.
同樣在塔斯馬尼亞州，約翰·沃德爾建築師事務所在偏僻的海灣上恢復了原始小屋，安德魯·伯恩斯建築事務所在該島東南海岸的遠足徑上設計了一系列小屋。
FROM:https://www.dezeen.com/2020/01/08/mount-stuart-glasshouse-bence-mulcahy-tasmania-extension/
