Japanese architect Junya Ishigami has completed this year’s Serpentine Pavilion, a craggy structure he describes as a “hill made out of rocks”.
The latest Serpentine Pavilion, located on the lawn outside the Serpentine Gallery in London’s Kensington Gardens, comprises a rugged, rocky canopy made out of 61 tonnes of Cumbrian slate.
This large mound of slate is held up by a slender steel structure, supported by a grid of 106 pin-ended columns that are arranged randomly to create a “forest”.
日本建築師Junya Ishigami已經完成了今年的蛇形館，這是一個崎嶇的建築，他將其描述為“用岩石製成的山丘”。
最新的蛇形館位於倫敦肯辛頓花園蛇形畫廊外的草坪上，由61噸坎布里亞板岩製成的堅固岩石天蓬。
這塊巨大的石板由細長的鋼結構支撐，由106個針腳柱的網格支撐，這些柱子隨機排列，形成一個“森林”。
“A stone creates a landscape, and a landscape usually sits outside of a building. I wanted to create the landscape inside the building, as a theory of the landscape that the stone creates outside,” said Ishigami.
“In that sense, I tried to create this landscape that exists outside, inside the building itself.”
Ishigami is the fourth Japanese architect to design a Serpentine Pavilion, following Toyo Ito in 2002, SANAA in 2009 and Sou Fujimoto in 2013. Even more so than his predecessors, a central focus of his work is making architecture that both celebrates and mimics the forms of the natural world.
His aim here was to create a building that takes the slate roof – one of the world’s most common architectural features – and show how it can be made to look like something found in the wild.
The architect likens the structure to a range of natural flora and fauna, from mountains and trees, to a lake and a bird.
“石頭創造了一個景觀，一個景觀通常坐落在建築物之外。我想在建築物內部創造景觀，作為石頭在外面創造的景觀理論，”Ishigami說。
“從這個意義上講，我試圖在建築本身內部創建這種景觀。”
Ishigami是第二位設計蛇形館的日本建築師，繼2002年的Toyo Ito，2009年的SANAA和2013年的Fujimoto之後。與他的前輩相比，他的工作重點是製作能夠慶祝和模仿形式的建築。 自然界。
他的目標是建造一座採用石板屋頂的建築 – 這是世界上最常見的建築特色之一 – 並展示如何製作看起來像野外發現的東西。
建築師將建築比作一系列自然動植物，從山脈和樹木到湖泊和鳥類。
“I want to evoke people’s imagination,” Ishigami told , “like when you look at the clouds, you might see some shapes of animals or something.”
“My image is of a flying black bird in a rainy sky, with the stones as feathers, the roof as the wings and the columns as streaks of rain.”
The pavilion is roughly triangular in plan. The corners extend down to touch the concrete ground surface below, which in turn slopes upwards to meet them.
Inside, the pavilion is furnished with simple tables and stools designed by Ishigami to look like lily pads.
“我想喚起人們的想像力，”Ishigami說道，“就像你看到雲層時，你可能會看到一些形狀的動物或其他東西。”
“我的形像是在多雨的天空中飛翔的黑鳥，石頭像羽毛，屋頂像翅膀，柱子像雨條。”
展館大致呈三角形。 拐角向下延伸以接觸下方的混凝土地面，然後向下傾斜以迎合它們。
在內部，展館配有簡單的桌子和凳子，由Ishigami設計，看起來像百合墊。
Journalists were invited to preview the pavilion today, but Serpentine Galleries artistic director Hans Ulrich Obrist and CEO Yana Peel were not present as usual to introduce the structure. It was revealed today that Peel has resigned, after being linked to an Israeli spyware company.
However the pair have put out a joint statement describing the completed pavilion as “extraordinary”.
The resignation is the latest in a series of controversies to hit this year’s pavilion. Back in March it emerged that Ishigami employed unpaid interns at his firm. Serpentine Galleries later told the architect that unpaid staff must not be allowed to work on this project.
今天邀請記者預覽展館，但蛇形畫廊的藝術總監漢斯·烏爾里希·奧布里斯特和首席執行官雅娜·皮爾並沒有像往常那樣介紹這個結構。 今天透露，皮爾在與一家以色列間諜軟件公司有聯繫後辭職。
然而，這對夫婦發表了一份聯合聲明，將完成的展館描述為“非凡”。
辭職是今年展館中一系列爭議中的最新一次。 早在三月，Ishigami就在他的公司僱用了無薪實習生。 Serpentine Galleries後來告訴建築師，不得讓任何無薪工作人員參與這個項目。
Ishigami worked with engineering firm AECOM to create the pavilion’s seemingly lightweight structure. The architect told Dezeen the approach was to “try to hide the complexity as much as possible”.
“To achieve Ishigami’s vision of an ‘unstable’ structure holding up the heavy layers of metamorphic rock as though it was weightless, the size and profile of the structural steel frame was rationalised to the extent that it is nearly six times lighter than the 60-tonne slate it supports,” said Michael Orr, AECOM’s principle engineer.
“The steel ties that connect the column heads together act predominantly in tension, tying the pavilion down to anchor points in each of the three corners, with bracing elements creating a stiffening ‘hem’ around the pavilion perimeter,” he explained.
“The stone is supported by a steel mesh that spans between the ties, forming a basket.”
Ishigami與工程公司AECOM合作，創造了展館看似輕巧的結構。 建築師告訴Dezeen，方法是“試圖盡可能地隱藏複雜性”。
“為了實現石垣的’不穩定’結構的視野，將變質岩的厚重層保持為失重狀態，結構鋼框架的尺寸和輪廓合理化，使其比60-輕近六倍。 它支持的tonne slate，“AECOM的主要工程師Michael Orr說。
“將柱頭連接在一起的鋼帶主要起到拉伸作用，將亭子向下固定在三個角落的每個角落，錨固元件在亭子周邊形成一個加強的”下擺“，他解釋道。
“這塊石頭由一塊鋼網支撐，橫跨在繫帶之間，形成一個籃子。”
Ishigami is the 19th architect to design a Serpentine Pavilion. His other completed projects include an elongated glass visitor centre that stretches through Park Vijversburg in the Netherlands and a kindergarten filled with huge curving shapes.
Other designs he has produced include a Japanese ferry terminal based on a “beautiful mountain range” and a cloud-like building with a boating lake inside for Copenhagen harbour.
His Serpentine Pavilion is officially open to the public from 21 June to 6 October. It will host a programme of events through the summer, after which it will be sold and moved to a new home.
The commission, awarded annually to an architect that hasn’t completed a project in the UK, has previously been undertaken by Bjarke Ingels, Peter Zumthor and Frank Gehry.
Last year’s pavilion, by Mexican architect Frida Escobedo, comprised a secluded courtyard framed by decorative, latticed walls.
Ishigami是設計蛇形館的第19位建築師。 他完成的其他項目包括一個延伸穿過荷蘭Park Vijversburg的細長玻璃遊客中心和一個充滿巨大彎曲形狀的幼兒園。
他製作的其他設計包括一個基於“美麗山脈”的日本渡輪碼頭和一個雲狀建築，裡面有哥本哈根港口的划船湖。
他的蛇形館於6月21日至10月6日正式向公眾開放。 它將在夏季舉辦一系列活動，然後將其出售並搬到新家。
該委員會每年頒發給尚未在英國完成項目的建築師，之前由Bjarke Ingels，Peter Zumthor和Frank Gehry承擔。
去年的墨西哥建築師弗里達·埃斯科韋多（Frida Escobedo）的展館由一個僻靜的庭院組成，庭院由裝飾性的格子牆構成。
FROM:https://www.dezeen.com/2019/06/18/serpentine-pavilion-2019-junya-ishigami-slate-mountain/
