A scale model of a concrete housing complex features alongside architectural photography in this New York exhibition, detailing the works of Polish modernist architect Jadwiga Grabowska-Hawrylak.
Patchwork: The Architecture of Jadwiga Grabowska-Hawrylak is currently on show at the American Institute of Architects’ (AIA) Center for Architecture in Manhattan’s Greenwich Village.
在這個紐約展覽中，一個混凝土住宅區的比例模型與建築攝影一起展示，詳細介紹了波蘭現代主義建築師Jadwiga Grabowska-Hawrylak的作品。
拼布：Jadwiga的建築Grabowska-Hawrylak目前正在曼哈頓格林威治村的美國建築師協會（AIA）建築中心展出。
Photographs, models and images feature in the exhibit at the American Institute of Architects’ Center for Architecture, also pictured top
照片，模型和圖像在美國建築師協會建築中心的展覽中展出，也是頂部的照片
AIA’s New York outpost organised the retrospective in collaboration with curators Michał Duda and Małgorzata Devosges-Cuber of the Museum of Architecture in Wrocław.
It marks the first comprehensive presentation of the work produced by the late architect, who is billed as “one of the most important Polish architects of the 20th century”, outside of Poland.
Photographs, models and images in the exhibit detail Grabowska-Hawrylak’s lengthy career, with projects ranging from 1954 to 1993.
友邦保險的紐約前哨與弗羅茨瓦夫建築博物館的策展人MichałDuda和MałgorzataDevosges-Cuber合作舉辦了回顧展。
它標誌著已故建築師的作品的第一次全面展示，他被稱為波蘭以外的“20世紀最重要的波蘭建築師之一”。
展覽中的照片，模型和圖像詳細介紹了Grabowska-Hawrylak漫長的職業生涯，項目範圍從1954年到1993年。
Building models top a table at the centre of the space 建築模型位於空間中心的桌子頂部
Among her accomplishments include a slew of housing estates and schools, built across Poland. She was also a key participant in rebuilding Wrocław after it severely destroyed in the second world war.
“From her participation in Wrocław’s post-war reconstruction in the 1950s, to her modernist designs of the 1960s and 70s, and the postmodern aesthetic adopted in her later work in the 80s and 90s, Grabowska-Hawrylak’s career reflects the changing politics and culture of Poland,” said a description from the exhibit.
她的成就包括在波蘭各地建造的大量住宅區和學校。 在第二次世界大戰中遭到嚴重破壞之後，她也是重建弗羅茨瓦夫的重要參與者。
“從參與20世紀50年代弗羅茨瓦夫的戰後重建，到20世紀60年代和70年代的現代主義設計，以及80年代和90年代後期作品中採用的後現代審美，Grabowska-Hawrylak的職業生涯反映了不斷變化的政治和文化。 波蘭，“該展覽的描述說。
Drawers underneath are filled with additional information, plans and diagrams 下面的抽屜充滿了額外的信息，計劃和圖表
Patchwork spans two levels at AIA’s centre in Manhattan’s Greenwich Village. At the entrance, a central room is wrapped with digital screens that display buildings by Grabowska-Hawrylak.
Anchoring the space is a table topped with dozens of building models. Drawers underneath the table pull out to reveal additional information, as well as plans and diagrams.
Patchwork在曼哈頓格林威治村的AIA中心跨越兩層。 在入口處，一個中央房間用數字屏幕包裹，顯示Grabowska-Hawrylak的建築物。
錨定空間是一個桌子，上面有幾十個建築模型。 桌子下方的抽屜拉出來顯示其他信息，以及計劃和圖表。
A focal point of the exhibit is a scale model of the Grunwaldzki Square housing complex
展覽的焦點是Grunwaldzki Square住宅區的比例模型
A focal point of the exhibit is a scale model of the Grunwaldzki Square housing complex, which she completed in Wrocław in 1973.
The complex is one of Grabowska-Hawrylak’s best-known works. It led to her becoming the first woman to be awarded the most prestigious architecture prize in Poland, the Honorary Award from the Association of Polish Architects (SARP), in 1974.
展覽的焦點是Grunwaldzki Square住宅區的比例模型，她於1973年在弗羅茨瓦夫完成。
該建築群是Grabowska-Hawrylak最著名的作品之一。 這使她成為第一位獲得波蘭最負盛名建築獎的女性，1974年獲得波蘭建築師協會（SARP）頒發的榮譽獎。
In the exhibition, the replica details one of the project’s many towers, based on prefabricated concrete volumes with curved patios.
The development – commonly referred is referred to as “Manhattan” in Wrocław, or sedesowce – was, however, originally designed to be white. This never transpired and, as a result, has been associated with the brutalist architectural style, much to Grabowska-Hawrylak’s misgivings.
在展覽中，複製品詳細介紹了該項目的眾多塔樓之一，基於預製的混凝土體積和彎曲的庭院。
開發 – 通常在弗羅茨瓦夫被稱為“曼哈頓”，或sedesowce – 然而，最初被設計為白色。 這從未發生過，因此與野蠻的建築風格有關，這與Grabowska-Hawrylak的疑慮很大程度上相關。
Rising two floors, the scale replica details one of the project’s many towers
這個項目的眾多塔樓之一的標誌性複製品上升了兩層樓
“These buildings are considered one of the best examples of brutalism in Poland, but Jadwiga Grabowska-Hawrylak hated brutalism,” curator Duda told Dezeen at the exhibit’s opening on 28 February 2019.
“She just wanted it to be sleek and smooth,” he continued. “That concrete was designed as a white concrete, and covered in plants.”
“這些建築物被認為是波蘭野蠻主義的最佳例子之一，但Jadwiga Grabowska-Hawrylak討厭野蠻行徑，”策展人Duda在2019年2月28日的展覽開幕式上告訴Dezeen。
“她只是希望它光滑流暢，”他繼續道。 “這種混凝土被設計成白色混凝土，並被植物覆蓋。”
Completed in 1973, Grabowska-Hawrylak’s complex rises in Grunwaldzki Square. Photograph by Stefan Arczyński, courtesy of Poland National Digital Archive
Grabowska-Hawrylak酒店於1973年建成，位於Grunwaldzki Square廣場。 攝影：StefanArczyński，由波蘭國家數字檔案館提供
In recent years, the complex has been painted white to honour the architect’s initial design.
Jadwiga Grabowska-Hawrylak was born on 29 October 1920 in Tarnawce, and studied architecture in Wrocław. Another of her key works is the Millenium Memorial Church of the Wrocław Diocese, which features a large gabled brick structure topped with a minimal, angular frame.
近年來，該建築群被塗成白色，以紀念建築師的初始設計。
Jadwiga Grabowska-Hawrylak於1920年10月29日出生於Tarnawce，並在弗羅茨瓦夫學習建築。 她的另一個重要作品是弗羅茨瓦夫教區的千年紀念教堂，其中有一個巨大的山牆磚結構，頂部有一個極小的角形框架。
Works are also depicted in photographs, like this image of a woman shading herself on a patio at the housing complex. Photograph by Chris Niedenthal
作品也在照片中描繪，就像這個女人在住宅區的露台上陰影的照片。 攝影：Chris Niedenthal
The exhibit is titled Patchwork because Grabowska-Hawrylak moved onto quilts after decades spent practising as an architect. When Duda met with her to discuss the exhibit, she dismissed the idea of it focusing solely on her architecture.
Patchwork was initially displayed at the Museum of Architecture in Wrocław, and the inaugural show featured her quiltwork alongside her buildings.
這個展覽名為Patchwork，因為Grabowska-Hawrylak在幾十年的建築師執業後搬到了被子上。 當Duda與她見面討論這個展覽時，她駁斥了它專注於她的建築的想法。
拼湊而成最初在弗羅茨瓦夫的建築博物館展出，首次展出的特色是她的建築物旁邊的作品。
This image captures the numerous curved moments that define “Manhattan”. Photograph by Chris Niedenthal
該圖像捕捉了定義“曼哈頓”的眾多彎曲時刻。 攝影：Chris Niedenthal
Duda has also written a book, titled the name of the exhibition, that outlines the story of Grabowska-Hawrylak as well as Wrocław.
“We have a very strong and long tradition of women architects (in Poland), but all of these ladies were very close with cooperating with male architect husbands,” Duda said. “Jadwiga was an exception; she did it all on her own.”
杜達還寫了一本書，名為展覽的名稱，概述了Grabowska-Hawrylak和弗羅茨瓦夫的故事。
“我們有一個非常強大和悠久的女性建築師傳統（在波蘭），但所有這些女士都非常接近與男性建築師的丈夫合作，”杜達說。 “Jadwiga是一個例外;她獨自完成了這一切。”
Grabowska-Hawrylak ‘s other key projects include the Millenium Church, featuring brick structure with square windows. Photograph by Jakub Certowicz
Grabowska-Hawrylak的其他重要項目包括千禧教堂，採用磚結構和方形窗戶。 攝影：Jakub Certowicz
“Unfortunately, Jadwiga passed away last year (in 2018), and you cannot imagine how proud she would be if she could be here,” Duda concluded.
Patchwork is on display at AIA’s Center for Architecture in Greenwich Village from 28 February until 18 May 2019.
Photography is by Anna Morgowicz, unless stated otherwise. Images courtesy of the AIA and the Museum of Architecture in Wrocław
“不幸的是，Jadwiga去年去世（2018年），你無法想像如果她能來這裡會有多自豪，”杜達總結道。
Patchwork於2019年2月28日至5月18日在AIA格林威治村建築中心展出。
除非另有說明，攝影由Anna Morgowicz拍攝。 圖片由美國建築師協會和弗羅茨瓦夫建築博物館提供
FROM:https://www.dezeen.com/2019/03/20/patchwork-jadwiga-grabowska-hawrylak-exhibit-aia-new-york-city/
