Stravinsky Fountain 斯特拉文斯基噴泉

The Stravinsky Fountain (French: La Fontaine Stravinsky) is a whimsical public fountain ornamented with sixteen works of sculpture, moving and spraying water, representing the works of composer Igor Stravinsky. It was created in 1983 by sculptors Jean Tinguely and Niki de Saint Phalle, and is located on Place Stravinsky, next to the Centre Pompidou, in Paris.

斯特拉文斯基噴泉(法語:La Fontaine Stravinsky)是一個異想天開的公共噴泉,裝飾著十六件雕塑作品,移動和噴水,代表著作曲家伊戈爾斯特拉文斯基的作品。 它由雕塑家Jean Tinguely和Niki de Saint Phalle於1983年創建,位於巴黎蓬皮杜藝術中心旁的斯特拉文斯基廣場。

Artist:Jean Tinguely
Niki de Saint Phalle
Year:1983
Type:Fiber-reinforced plastic, steel
Location:near to Centre Pompidou, Paris, France

藝術家:Jean Tinguely
Niki de Saint Phalle
年份:1983
類型:纖維增強塑料,鋼
位置:靠近法國巴黎蓬皮杜中心




Description
The Stravinsky Fountain is a shallow basin of 580 square metres (6,200 sq ft) located in Place Stravinsky, between the Centre Pompidou and the Church of Saint-Merri. Within the basin are sixteen works of sculpture inspired by Igor Stravinsky’s The Rite of Spring, and his other major works. The black mechanical pieces of sculpture are by Jean Tinguely; the brightly colored works are by Niki de Saint Phalle.

The sculptures in the fountain represent:

L’Oiseau de feu (The Firebird)
La Clef de Sol (the Musical Key of G)
La Spirale (The Spiral)
L’Elephant (The Elephant)
Le Renard (The Fox)
Le Serpent (The Serpent)
La Grenouille (The Frog)
La Diagonale (The Diagonal)
La Mort (Death)
La Sirène (The Mermaid)
Le Rossignol (The Nightingale)
L’Amour (Love)
La Vie (Life)
Le Cœur (The Heart)
Le Chapeau de Clown (The Clown’s Hat)
Ragtime (Ragtime)
The basin covers some of the rooms and offices of IRCAM (Institut de Recherche et Coordination Acoustique/Musique), an organization devoted to promoting modern music and musicology, connected with the Pompidou Center. The founder of IRCAM, composer and conductor Pierre Boulez, suggested the work of Stravinsky as a theme for the fountain. Because of the offices and rooms below, the fountain was designed to be as lightweight as possible, with very shallow water, a lining of stainless steel, and sculptures composed of plastics and other light materials.

描述
斯特拉文斯基噴泉是一個面積為580平方米(6,200平方英尺)的淺水盆地,位於斯特拉文斯基廣場,位於蓬皮杜藝術中心和聖梅里教堂之間。在這個盆地內有十六件雕塑作品,靈感來自伊戈爾斯特拉文斯基的“春之祭”和他的其他主要作品。黑色機械雕塑作品由Jean Tinguely設計;鮮豔的作品由Niki de Saint Phalle設計。

噴泉中的雕塑代表:

L’Oiseau de feu(火鳥)
La Clef de Sol(G的音樂鍵)
La Spirale(螺旋)
L’Elephant(大象)
勒納德(狐狸隊)
Le Serpent(蛇)
La Grenouille(青蛙)
La Diagonale(對角線)
拉莫特(死亡)
LaSirène(美人魚)
Le Rossignol(夜鶯)
L’Amour(愛情)
La Vie(生活)
LeCœur(心臟)
Le Chapeau de Clown(小丑的帽子)
拉格泰姆(拉格泰姆)
該盆地覆蓋了IRCAM(Institut de Recherche et Coordination Acoustique / Musique)的一些房間和辦公室,該組織致力於推廣現代音樂和音樂學,與蓬皮杜中心相連。 IRCAM的創始人,作曲家和指揮家Pierre Boulez建議將斯特拉文斯基的作品作為噴泉的主題。由於下面的辦公室和房間,噴泉設計盡可能輕,水很淺,不銹鋼襯裡,塑料和其他輕質材料組成的雕塑。

History
The Stravinsky Fountain was part of a sculptural program, launched by the City of Paris in 1978, to build seven contemporary fountains with sculpture in different squares of the city. This project also included new fountains at the Hotel de Ville and within the gardens of the Palais Royal. They were to be the first public fountains built in Paris since the fountains of the Palais de Chaillot were built for the Paris Exposition of 1937. It was also a major project by the City of Paris to redevelop the area around the old city markets, Les Halles, which had been torn down in 1971, and to re-animate the area with pedestrian streets, squares, and works of art.

In October, 1981, the mayor of Paris, Jacques Chirac, announced that a new fountain would be built near the Centre Pompidou, and announced that Jean Tinguely and Niki de Saint Phalle had been selected to design the fountain. “Such a work must necessarily have modern lines, marrying with those of the Centre Pompidou”, Chirac said, and he noted the success of a fountain that Tinguely had recently installed. The City of Paris paid two million French francs for the project, which was matched by two million francs from Jack Lang, the Minister of Culture. The financial agreement was formally signed on December 15, 1982, allowing the project to go ahead. Other contributions came from private sponsors: the Société Lyonnaise des eaux (500,000 francs), the Fondation Scaler (150,000 francs), and the Swiss government.

One sensitive artistic issue had to be resolved: the commission had originally been given to Jean Tinguely alone, and therefore the work would have been entirely composed of his black-painted mechanical sculptures. But in May 1982, he asked that brightly colored works by Niki de Saint Phalle (who was also Tinguely’s wife) be included. This caused concerns at the Sous-Direction du Patromoine culturel of the Bureau of Monuments of Paris, which had originally commissioned the sculpture; they feared that the brightly colored works of Niki de Saint Phalle would visually overwhelm the dark-colored works of Tinguely. Officials of the Ministry of Culture and Sous-Direction du Patrimoine persuaded Tinguely to reduce the number of works by Niki de Saint Phalle to four or five, and both the Ministry of Culture and City of Paris then agreed that it would be a joint project by Tinguely and Saint Phalle.

A few technical issues also needed to be resolved. Tingueley did not want the water to be chemically treated, and preferred that moss be allowed to grow. Tinguely also wanted to use very-low-power electric motors for the fountains, to avoid any danger of electrocuting people wading in the fountains. The sculptures were not attached to the bottom of the basin, but simply placed there.

The finished fountain was dedicated on March 16, 1983, by Mayor Chirac, Minister of Culture Jack Lang, and Madame Pompidou, the widow of President Georges Pompidou. During the ceremony, Chirac and Lang, who were political enemies, avoided looking or speaking to each other.

Under French law and practice, the French state has the legal obligation to maintain fountains, but artists and their descendants have the moral right to control their work. In 1985, Niki de Saint Phalle asked for modifications to be made to one part of the sculpture, Rossignol, to make it more harmonious with other parts of the work. Five years later, she asked that one sculpture, Sirène, be replaced by another earlier work by her, called Nana, seated in a bathing suit. Because of the cost, the substitution was never made.

歷史
斯特拉文斯基噴泉是1978年由巴黎市發起的雕塑項目的一部分,用於在城市的不同廣場上建造七個當代噴泉,雕塑。該項目還包括Hotel de Ville酒店和皇宮(Palais Royal)花園內的新噴泉。它們是巴黎建造的第一個公共噴泉,因為Palais de Chaillot噴泉是為1937年巴黎博覽會建造的。它也是巴黎市重建舊城市區周圍地區的一個重要項目。 Halles,於1971年被拆除,並通過步行街,廣場和藝術品重新製作該地區的動畫。

1981年10月,巴黎市長Jacques Chirac宣布將在蓬皮杜中心附近建造一座新噴泉,並宣布Jean Tinguely和Niki de Saint Phalle被選中設計噴泉。希拉克說:“這樣的作品必須具有現代化的線條,與蓬皮杜藝術中心的作品結合在一起”,他注意到Tinguely最近安裝的噴泉的成功。巴黎市為該項目支付了200萬法國法郎,與文化部長Jack Lang的200萬法郎相匹配。該財務協議於1982年12月15日正式簽署,允許該項目繼續進行。其他貢獻來自私人讚助商:SociétéLyonnaisedes eaux(500,000法郎),Fondation Scaler(150,000法郎)和瑞士政府。

一個敏感的藝術問題必須得到解決:該委員會最初只是給了丁·廷格利,因此這部作品完全由他的黑色機械雕塑組成。但在1982年5月,他要求將Niki de Saint Phalle(也是Tinguely的妻子)的鮮豔作品列入其中。這引起了巴黎紀念碑局的Sous-Direction du Patromoine文化的關注,該局最初委託雕塑;他們擔心Niki de Saint Phalle鮮豔的作品會在視覺上壓倒Tinguely的深色作品。文化部和Str-Direction du Patrimoine的官員說服Tinguely將Niki de Saint Phalle的作品數量減少到四到五個,文化部和巴黎市政當局同意這是一個聯合項目。 Tinguely和Saint Phalle。

還需要解決一些技術問題。 Tingueley不希望對水進行化學處理,並且希望允許苔蘚生長。 Tinguely還希望在噴泉中使用極低功率的電動機,以避免人們在噴泉中趟過電擊的危險。雕塑沒有附著在盆底,而只是放在那裡。

完成的噴泉於1983年3月16日由文化部長傑克朗市長希拉克和喬治·蓬皮杜總統的遺體蓬皮杜夫人獻身。在儀式上,作為政治敵人的希拉克和朗避免相互觀望或說話。

根據法國的法律和慣例,法國政府有維護噴泉的法律義務,但藝術家及其後代擁有控制其工作的道德權利。 1985年,Niki de Saint Phalle要求對雕塑的一部分Rossignol進行修改,以使其與作品的其他部分更加和諧。五年後,她要求將一件名為Sirène的雕塑替換為她的另一件早期作品,名叫娜娜,坐在泳衣裡。由於成本原因,從未進行替代。

FROM:https://en.wikipedia.org/wiki/Stravinsky_Fountain

FROM:Niki de Saint Phalle sculpture at Stravinsky Fountain, Paris, France

FROM:Stravinsky Fountain in 4K

Don’t you think it’s addictive?
Want to know more about the beauty of architecture?
Come and join our members to explore the beauty of architectural design.

覺得看得不過癮嗎?

想要知道更多建築之美嗎?

快來加入我們的會員,一同探索建築設計之美。

The above article is purely for appreciation and sharing purposes, as well as the construction of new technology and the public can be in-depth understanding of the information at the same time there are sources, will be able to query, no use of the document as a commercial transaction, if illegal, please inform the We will immediately remove the site, thank you for cooperation.

以上文章純粹作為欣賞及分享用途,以及將建築新型技術傳遞給與大眾能夠深入了解,同時資料還有來源,將可查詢,絕無使用該文件資料作為商業交易行為,如有違法請務必告知該網站我們將立即處理撤除,謝謝合作。

CONTACT US

We're not around right now. But you can send us an email and we'll get back to you, asap.

Sending

Log in with your credentials

or    

Forgot your details?

Create Account